I’ve just finished up my seminar (the teaching portion, not the grading portion – oh, not remotely the grading portion!) on Nietzsche and Modern Literature, where along with various readings from Nietzsche we also read works by Thomas Mann, André Gide, D. H. Lawrence, and Ayn Rand. I created an “audiovisual companion” website for the course to illustrate the various people, places, and works of art and music that are discussed by all five authors; and I’m posting the link to it here in case my broader readership is also interested.
As many of my readers are likely to have a particular interest in Rand, I’ll note that the pages where I discuss Rand are Weeks 9-14. See the four “horse tamer” statues that Rand describes at the beginning of Part II of We the Living! Hear the “John Gray” song (misidentified by Michael Berliner) that pervaded the streets of Kira’s Petrograd! See the theatres that Kira attended with Andrei, and the restaurant where they ate! Hear clips from the Kálmán operetta that inspired her, and the swingtime version of Wagner’s “Evening Star” that Gail Wynand suffered through during his late-night walk through the streets of New York! See the real-life models for Leo Kovalensky, Essie Twomey, Ellsworth Toohey, Lois Cook, Lancelot Clokey, Dominique Francon, Henry Cameron, Ralston Holcombe, and Austen Heller – as well as the real-life models for the buildings of Roark and Cameron, the coffee shop where Peter says goodbye to Katie, and much much more!
And check out similar sights and sounds for the works of Mann (Weeks 1-4), Gide (Weeks 4-5), Lawrence (Weeks 5-9), and of course Nietzsche (passim).
Two more interviews from my YouTube Channel:
In the first, continuing the San Diego bookstore series (yet also transcending it), I chat with Jeff Mezzocchi, proprietor of the Eternal Return Antiquarian Bookshop, devoted to rare editions of philosophical classics. The conversation centers heavily on Nietzsche, but also ranges over the conflict between Cartesian caution and Spinozistic radicalism, Russian nihilism, Shakespeare in performance, dogmatic vs. skeptical readings of Plato, the perils of translation, teaching philosophy in the age of Zoom, the agonising tension between book collecting and bookselling, and the lakeside rock in Switzerland where Nietzsche and Jeff each experienced life-changing events.
(Like my earlier interview with Sean Christopher of LHOOQ Books, this interview should appeal to anyone with an interest in bookstores, philosophy, art, literature, etc., even if they have no specific interest in San Diego or its bookstore scene.)
In the second, I chat with science fiction author Ken MacLeod about Scottish space opera, libertarianism and Marxism, individualist anarchism, the Austrian calculation debate, Neoreaction, Brexit, Scottish independence, paternalism and anti-vaping laws, James Hutton and deep time, the Scottish Enlightenment, what he owes to David Friedman, what he owes to Margaret Thatcher, and that time Charles Darwin changed history by vomiting.
A few brief conversations on aesthetics with Anoop Verma: Nietzsche on the idea of “giving style to one’s character“; postmodern art and postmodern philosophy; and Dewey’s philosophy of aesthetics.
Though my promises obviously mean nothing, I’m hoping to post a series of critical reflections here on Ayn Rand’s aesthetics. Of course, having put that hope in print, it’s now likely that I’ll end up reneging or backsliding on my quasi-commitment, and say nothing at all on the subject. But having re-read Rand’s Romantic Manifesto for the first time in several years, I’m struck by how frankly awful a book I find it–much worse than I did on my last reading in 2014, when my marginal notes, though highly critical of Rand’s claims, were not as dismissive of them as I now feel. Right now, I’m having a hard time understanding how anyone could take the book seriously.
So if you think it should be taken seriously, feel free to convince me when the time comes. I’d like to think that there’s more there than meets the eye, but right now, I’m not seeing it. At the moment, The Romantic Manifesto strikes me as one of the worst books of its kind (of any kind) that I’ve ever read.
Two views of William F. Buckley from the Op-Ed page of today’s New York Times, visible at exactly the same level on the same page of the print edition:
But most of the world — including most of the Jewish diaspora — will have a hard time coming up with a decent justification for opposing a Palestinian campaign for equal rights. Israel’s apologists will be left mimicking the argument that William F. Buckley once made about the Jim Crow South. In 1957, he asked rhetorically whether the white South was entitled to prevail “politically and culturally, in areas in which it does not predominate numerically.” The “sobering answer,” he concluded, was yes, given the white community’s superior civilization.
–Michelle Goldberg, “Is Liberal Zionism Dead?”
Same page, five inches away: