Every time (or nearly every) that a new artistic style or movement emerges (in literature, think e.g. of romanticism or naturalism or modernism; in painting, think of impressionism or cubism or abstraction), it’s accompanied by two narratives.
One narrative comes from defenders of the Older Art. The burden of this narrative is that the Newer Art is not merely inferior, but pernicious – that it represents a betrayal of the very principles of art itself. Think of the hostile reviews of the first Impressionist Exhibition in Paris (such as “Wallpaper in its early stages is much more finished than that”); or the singers who refused to learn Wagner’s operas because they were “unsingable”; or the Vienna Musikverein’s initially rejecting Schönberg’s Verklärte Nacht because it used “nonexistent” chords; or the literal violence that broke out in the theatre at the first production of Victor Hugo’s play Hernani for its violation of the rules of classicism.
Continuing the San Diego bookstores series, I chat with Jack Ran of the Groundwork Book Collective, a radical left-wing bookstore on the campus of UCSD. Topics include running a bookstore as an egalitarian collective; participating in wildcat strikes; surviving arson attacks; the dynamics of anarchist/Marxist cooperation; conflicts with the university administration; what campus leftists owe to Donald Trump; and the joys of reading Proudhon, Kevin Carson, and Shawn Wilbur.
If I seem a little sleepy during the video, it’s because I’d gotten very little sleep the night before. I blame capitalism.
In my latest Agoric Café video, I chat with economist Bruce L. Benson about polycentric mercantile law in medieval Europe and among the Plains Indians; whether private law can work outside of small homogeneous communities; causation vs. correlation in the gun control debate; the perils of scissors-and-paste history; the abolition of criminal law; the incentival perversities of the reservation system; the inevitability of the state; and what intellectual debt he owes to the u.s. military.
What do Good Morning America, the Australian Outback, Mary Poppins, David Friedman, Lawrence of Arabia, and a balloon voyage to a lost colony of Vikings at the North Pole have in common? Get the answers in this video, as I take you on a journey BEYOND YOUR IMAGINATION!!!
The next best thing to giving a libertarian talk in Prague is giving a libertarian talk to Prague. Although if Aristotle is right about the locus of causal action being in the recipient rather than the agent, perhaps this counts as a talk in Prague after all.
Why is it called “The Three Musketeers” rather than “The Four Musketeers”? Was Alexandre Dumas really the author? Was Auguste Maquet the author? Was the novel based on real people and events? Was it based on a previous novel by somebody else? Were there any sequels or spinoffs? Do all the existing translations suck? Was Dumas racist against blacks? Was he black himself? Was d’Artagnan more of a villain than a hero? Did he fight Cyrano de Bergerac? Are the publishers of Dumas’s works guilty of literary fraud? And finally, and most importantly, is the “Three Musketeers” candy bar actually made out of musketeers? If these questions have got you tossing and turning all night – get fast, fast relief with this one weird video!
The Agoric Cafe is serving once again!
In my latest video, I chat with globetrotting, gunslinging, contraband-smuggling libertarian scholar Tom G. Palmer on the legitimacy of self-defense; the militarisation of police; prison abolitionism; the wars on drugs, guns, and gays; the economics and ethics of bounty hunting; the French liberal demystification of the state; lawlessness vs. anarchy; the perversities of the FDA and CDC; Afghan libertarianism; hatred as a treacherous muse; how to sneak a photocopy machine into the Soviet bloc; and the height of the sky.
I’ve just finished up my seminar (the teaching portion, not the grading portion – oh, not remotely the grading portion!) on Nietzsche and Modern Literature, where along with various readings from Nietzsche we also read works by Thomas Mann, André Gide, D. H. Lawrence, and Ayn Rand. I created an “audiovisual companion” website for the course to illustrate the various people, places, and works of art and music that are discussed by all five authors; and I’m posting the link to it here in case my broader readership is also interested.
As many of my readers are likely to have a particular interest in Rand, I’ll note that the pages where I discuss Rand are Weeks 9-14. See the four “horse tamer” statues that Rand describes at the beginning of Part II of We the Living! Hear the “John Gray” song (misidentified by Michael Berliner) that pervaded the streets of Kira’s Petrograd! See the theatres that Kira attended with Andrei, and the restaurant where they ate! Hear clips from the Kálmán operetta that inspired her, and the swingtime version of Wagner’s “Evening Star” that Gail Wynand suffered through during his late-night walk through the streets of New York! See the real-life models for Leo Kovalensky, Essie Twomey, Ellsworth Toohey, Lois Cook, Lancelot Clokey, Dominique Francon, Henry Cameron, Ralston Holcombe, and Austen Heller – as well as the real-life models for the buildings of Roark and Cameron, the coffee shop where Peter says goodbye to Katie, and much much more!
And check out similar sights and sounds for the works of Mann (Weeks 1-4), Gide (Weeks 4-5), Lawrence (Weeks 5-9), and of course Nietzsche (passim).
This coming Monday, April 5th, the Molinari Society will be holding its mostly-annual Pacific Symposium in conjunction with the Pacific Division of the American Philosophical Association via Zoom (5-10 April).
This panel has some overlap, both in personnel and in content, with the one we did in January for the Eastern APA, but it’s not identical.
Only those who cough up the hefty registration fee will be able to access the session, so no chance of free-riding this time around (the APA’s decision, definitely not ours; the APA is both pragmatically and morally confused about the costs and benefits of allowing free-riding at its conferences, but that’s another story). But there’s a substantial student discount, verb. sap. Anyway, here’s the schedule info:
Molinari Society symposium:
Radical Rights Theory
G2A. Monday, 5 April 2021, 11:30 a.m.-2:30 p.m. Pacific time
Roderick T. Long (Auburn University)
Jesse Spafford (The Graduate Center, CUNY), “You Own Yourself and Nothing Else: A Radical Left-Libertarian Solution to the Self-Ownership Thesis’ Pollution Problem”
Jason Lee Byas (University of Michigan), “Stolen Bikes & Broken Bones: Restitution as Defense”
Zachary Woodman (Western Michigan University), “Extended Cognition as Property Acquisition”
Gary Chartier (La Sierra University), “Natural Law and Socioeconomic Rights”
Cory Massimino (Center for a Stateless Society), “Two Cheers for Rothbardianism”
Roderick T. Long (Auburn University), “How to Have Your No-Proviso Lockeanism and Eat It Too”
See the full schedule here.
I’ll be chairing the panel from the road, so let’s hope my motel’s wifi is up to the challenge. Still, can’t be worse than the Eastern session, when my power actually went out in the middle of it.
Ayn Rand’s Red Pawn, written in the 1930s, takes place on the imaginary Strastnoy (“Passion,” in the Christian theological sense) Island, in “the Arctic waters off the Siberian coast,” where a Christian monastery has been converted into a Soviet prison camp.
In real life there actually was, during the 1920s and 30s, a Christian monastery that had been converted into a Soviet prison camp, on a remote island in Arctic waters – though on the western side of Russia, not the eastern, Siberian side – namely Solovki Prison on Solovetzky Island, which was actually the nucleus of the entire Gulag system. (Appropriately enough, the Gulag Archipelago began on a literal archipelago.)
Solovki Prison is not as forbidding-looking as the one described in Rand’s story (Rand’s version has a bit more the flavour of the Château d’If), but I still suspect it influenced the tale. (During World War II, Solovki became a military base. Today it is a monastery again.) (There was also a Strastnoy monastery in Moscow that was demolished by the Soviets, and might have influenced Rand’s choice of name.)
Would Rand have been aware of Solovki Prison? I think likely yes, since two books had been published on it in the west during the 1920s, by former inmates – S. A. Malsagoff’s An Island Hell: A Soviet Prison in the Far North, and Youri Bezsonov’s Mes vingt-six prisons et mon évasion de Solovki.