Poet of the Sociopath

Rand “is the cold, stony advocate of self-interest, the poet of the sociopath.” That quotation is from the book AYN RAND AND THE RUSSIAN INTELLIGENTSIA (2022) by Derek Offord. He goes straight to Rand’s various representations and condemnations of altruism and collectivism and to her holding high ethical egoism and attendant inversions of traditional virtues, such as the displacement of humility with pride. He sees the audacity of Rand’s vision of a guilt-free human life.

The author sticks to the clashes between Rand’s ethics and the traditional, altruistic ones, secular or religious. He takes no notice of continuities of the old and the new and ways in which the latter took up the old with redefinition and placement in an orderly account of value per se. By sticking to only the stark clashes and by ignoring facets of the psychology of Rand’s protagonists—indeed conjecturing that such things as empathy and concern for others are entirely absent in those characters (and in their creator)— Offord makes it easy on himself to slide from Rand being the poet for personalities asocial, to antisocial, to sociopathical. Even the asocial is in full truth not fitting of Rand’s protagonists.

This book is another distortion and smear of Rand’s philosophy. It is a smart one, by someone who actually has read Rand’s novels and The Virtue of Selfishness. He is of independent mind, not one repeating old critical reviews by others.

https://www.bloomsbury.com/uk/ayn-rand-and-the-russian-intelligentsia-9781350283947/

a thought or two prompted by reading chapter one of Gaus’ “The Tyranny of the Ideal”

Suppose that, for a certain type of cooperative endeavor in a certain type of circumstance, the only appropriate fairness-pattern (in the distribution of benefits and burdens) is equal shares of what is produced (as long as a certain minimum effort, of a certain minimal quality, is put forth). So, we do the thing, everyone crosses the effort/quality threshold, and we distribute the fruits of our labor equally. Is the distribution perfectly or completely fair or just?

Not necessarily. Maybe my contribution involved my unfairly acquiring something (say, wood for a fire that needed to be fed) from someone. Or maybe, though I traded fairly to get my wood, the person I got it from obtained it from some other person unfairly. The general pattern here (that need not involve anything like a chain of transactions a la Nozickian procedural justice) is: (social state of affairs) that-P is just only relative to the justice of (relevant social circumstance) that-Q; but it might be that, if that-Q is just, it is just only relative to the justice of (further relevant social circumstance) that-R; etc. Though there is no reason why this explanatory chain has to be super-long or super-complicated in all scenarios, at the level of evaluating whole societies and the complex interactions, norms and institutions that compose them, some considerable number of salient justice-evaluable circumstances and some considerable complexity should be expected. But that pushes us toward the idea that ideals of perfect or complete justice are unmanageable and quixotic. 

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Hiatus

I’m going to be taking an indefinitely long break from blogging. The blog, of course, will be active insofar as other members of PoT post or comment, but I personally will be sitting things out for a bit. Apologies to the many people to whom I owe comments; I simply haven’t been able to keep up. But at least you get the last word! For now.

Life Imitates Art

The 2002 film “John Q” begins with a scene in which a reckless driver dies, clearly at fault, in a horrific car wreck. Her organs, including her heart, are “harvested” or “recovered,” depending on your preferred choice of medical terminology, for purposes of organ donation. That organ recovery drives the plot of the rest of the film, which involves–somewhat heavy-handedly–the transplant of that very heart into a totally unrelated person dying of heart disease. In short, one person’s recklessness becomes her tragic demise; that tragedy becomes another person’s salvation.

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